1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).   Related Paintings of Francisco Goya :. | Details of the forge | Miracle of St Anthony of Padua | Highwaymen Attacking a Coach | Andres del Peral | Carlos IV on Horseback |
Related Artists:
Enoch Seeman
Enoch Seeman the Younger was born in Danzig, now Gdansk, Poland, around 1694. His father, also Enoch was born around 1661, and the Seeman family were painters. Having been brought to London from his home of Flanders by his father in 1704, the younger Seeman's painting career as we know it began with a group portrait of the Bisset family in the style of the portraitist Godfrey Kneller, now held at Castle Forbes in Grampian, Scotland, and dated by an inscription 1708. As a painter to the British royal court Seeman the Younger completed portraits of George I, in 1730, in the robes of his coronation and of George II some years later. The first of these pictures is held at the Middle Temple in London, England, and the second is at Windsor Castle in Berkshire, England, part of the royal collection. In 1734, Seeman painted a portrait of Jane Pratt Taylor, daughter of Lord Chief Justice John Pratt. The portrait was sent to William Byrd, II of Westover, in Virginia, where it became part of the largest colonial portrait collection of the early eighteenth-century. The painting is now part of the collection of the Virginia Historical Society. The Yale University Art Gallery owns a portrait of Elihu Yale in 1717 by Seeman and the Metropolitan Museum in New York, USA owns his rendering of Sir James Dashwood, described by the Grove Dictionary of Art as 'Exceptionally lively'. Also by Seeman the younger, Abraham Tucker in 1739 at the National Portrait Gallery in London, England, and various copies of sixteenth and seventeenth century portraits. The National Trust owns two examples of this set of his work - at Dunham Massey in Cheshire, England, a copy of a portrait of Lady Diana Cecil, and at Belton House in Lincolnshire, England, of Lady Cust and her Nine Children.
Francesco Fontebasso
(4 October 1707 - 31 May 1769) was an Italian painter painter of the late-Baroque or Rococo period of Venice. He first apprenticed with Sebastiano Ricci, but was strongly influenced by his contemporary, Giovanni Battista Tiepolo. In 1761, Fontebasso visited Saint Petersburg and produced ceiling paintings and decorations for the Winter Palace. Fontebasso returned to Venice in 1768. He helped decorate a chapel in San Francesco della Vigna. He died in Venice in 1769.
delafontaine
född 8 juli 1621 i Chateau-Thierry, död 13 april 1695 i Paris, var en fransk författare.